The Fuller Lodge will Be showing children's art next week

The Magic Flute at the Santa Fe Opera

Last Saturday Quinn and I went to opening night of The Magic Flute at the Santa Fe Opera to celebrate Quinn's birthday (which was about a month ago). It was the first time I've seen The Magic Flute, or been to the Santa Fe Opera, so it was a great experience. 

It's so cool to drive down a windy desert road to get to the opera. The stage is curved and the back is open, so when we sat down we saw the sun set over the mountains. As it got dark, fireflies were twinkling around the colorful birds that they had set up. 

I was surprised at how funny the opera was. Especially the opening scene where the prince (gosh, I left my program in the car.... and I forgot all the characters' names!) was struggling in a giant snake's mouth. Three women came out and saved him and then spent the next five minutes arguing over who should stay and look over him - because he was so good looking. 

I think, or at least I gather from hearing about other people's trips to the opera, that the Santa Fe Opera likes to mix and match their costumes, using different time periods. In this case, it made it really obvious what different characters would be like. The Queen of the Night and her ladies were dressed in lavish full dresses, like Queen Victoria. The bird catcher, Pappageno, was wearing a baseball cap and a t-shirt and dorky shorts that came mid-calf - he was just a regular guy. The bad guy, a guard who was constantly trying to rape the heroine, was dressed like a Nazi. The people who were in the hall of justice were dressed like founding fathers, or puritans, and in their scenes there was a big table that took up most of the stage that reminded me of paintings of the signing of the Declaration of Independence or the Last Supper. In contrast, the hero and heroine were dressed very simply. 

I've listened to The Magic Flute, but it wasn't until I watched it with the lovely benefit of having a translation right in front of me, that I could make a connection between the music and the characters. The Queen had by far the most virtuosic part. I noticed that when she really started singing her complicated high pitched runs, she was in the process of trying to get someone to do her bidding. The first time she was convincing the hero to rescue her daughter. She said, if you do this, she can be yours forever, and after saying "forever"she just went off with her voice. The prince was just nodding, like you do when someone's talking and talking. Anyway, those high notes were very convincing because the prince did what she asked. 

But then later, she did the exact same thing when she was trying to talk her daughter into stabbing the leader of the hall of justice. She sang the same high notes, but they sounded a little more desperate and crazy this time. 

Anyway, we had a great time!

Jackie's Dream - In Memoriam

I just wanted to share Michelle Stump's newest blog post. She's made a new greeting card in memory of Dr. Kristine Weaver, a vet from Los Alamos, MN.

Jackie's Dream - In Memoriam

Nicholas Straight's art blog

Nicholas Straight is a friend of mine from high school.  Although he could probably take or leave a lot of classes in school, he had a single-minded obsessive drive to make it as an artist. It was very cool.  And so I can't help but get excited to see that he's still making art and finding opportunities.  Anyway, take a look at his blog: http://nicholasstraight.blogspot.com/2010/06/hot-off-presses.html

Plein Air Pastel show in Eldorado this weekend

Sally Hayden Von Conta and Janet Shaw Amtmann will be showing their work together as part of the Eldorado Studio Tour this Saturday and Sunday (May 15th and 16th) from 10-5.

My husband bought me one of Sally Hayden Von Conta's pieces for my birthday last year. I really like her work.

They will be located at Studio 41, 16 Herrada Rd., Santa Fe, NM 87508.

Melissa Bartlett discusses the importance of composition

Before doing anything else, Melissa Bartlett spends a lot of time figuring out the composition of her pieces.

In her opinion, if you have a strong composition, it makes a big difference.  People will be drawn to it. But if you have a bad composition, nothing will save it.

This is how Bartlett described a good composition: "The eye is drawn through the painting. There's some drama.  A little unexpected pattern that's unusual or eye catching."

It can be a little mysterious, but once you understand this concept the little details aren't as important.  The best way to develop a sense of good artistic composition is to keep your eyes open and to experiment.

Bartlett was at an occupational therapy (in addition to being an artist she is an occupational therapist at an elementary school) conference where they had to sit at long tables with white table cloths. On the tables were glasses filled with cheap hard candies.

She spent the entire time composing pictures of the candies in her mind. She said, when it was time to leave, "I dumped them in my purse and spent the morning experimenting.  Taking photos."

Anyone who saw her dump the candy into her purse might assume that he has an addiction to sugar. But really, this is the type of thing that artists do.

In Bartlett's case, she doesn't really paint candy.  She likes to do landscapes and animals.  She said, "Every once in awhile the light will attract me to something different (like the candies). It's what art is.  You look at something in a different way.  Get a different view of something.  Take something ordinary and make it startling."

Although Bartlett is the type of artist who works quickly and usually has more ideas than she has time to complete, there have been a couple of times when she didn't know what to do with a piece and it slowed her down.

"One time I gave my husband a certificate that said I'd do a picture of a fish that he caught," she explained.  Bartlett's husband loves to fly fish and she spends a lot of time sketching on the side of a river while he fishes. "I dragged my feet for a year. I couldn't wrap my mind around it.  Finally, I decided it was a still life.  But it still took a long time.  [In the photo] the fish was on mud, and that was ugly.  So I took pictures of pebbles in water."

Melissa Bartlett's artwork is available at the Karen Wray Gallery of Fine Art.

Sec Sandoval's teachers encouraged him to do his own thing

Sec Sandoval just isn't into painting nude models. When he was young he took an art class with Randall Davey and a model came in and disrobed. Sandoval left to go outside and paint birds.

Later Davey said, "If you want to be an artist you need to draw what you want to draw, not what I tell you to draw."

He's been drawing since he was five, but never took formal art classes (at least not the kind where he had to draw what the teacher told him to). What makes his art stand out is his unsurpassed familiarity and love for Northern New Mexico.

That is something that comes from getting out and painting what you want to paint every day.

"When I came here in '43 it was the first time I painted aspens," he said. "I just fell in love with them. I said I'm going to keep painting aspens until I get it right."

Just because he didn't seek out art instruction doesn't mean that he didn't care about school. "Los Alamos has been good to me in every respect," he said. "When I came here I couldn't read, speak much English, communicate or get along with the other kids on the playground. I started out at the very bottom of the class....But the teachers straightened me up. I graduated seventh in my class, was the class president and the captain of the football team. But I didn't let that get to my head. I had a very old fashioned family. My father was very strict."

He stayed in touch with some of his teachers until they passed on.



After high school he got a position at the Los Alamos National Lab as a mechanical designer and illustrator. He has a painting by his staircase that was influenced by his technical job. But after working for the lab he was soon anxious to follow his own artistic path. He quit 37 years ago.

According to Sandoval, his boss said, "Good for you. If I could paint, I'd quit too."

While he went through the art in his house, showing me what he has done over the course of his career, every now and again he would come across what he considered to be a dud. Mainly they were abstracts that made him exclaim, "What was I thinking?" or "That won't put any tortillas on the table!"

What he mainly does is landscapes of Northern New Mexico. He has done everything from the Santa Fe Mountains to Valle Grande, to Taos. He's painted the Black Mesa so many times that he could do it in his sleep. He said, "You don't have to go very far to find something to paint."

He doesn't like to paint outside because the conditions are too unpredictable. Instead he takes pictures of his favorite places. But recently what he likes to do more than take pictures is to sketch a rock or a tree or a bush and then make his own composition based on the sketches. the place in his paintings ends up being fictional.



Sandoval doesn't like to travel, be in big cities or fly. He went to Alaska once, and took some pictures for paintings but decided that you really need to live somewhere to paint it well. "Here, I go out for walks, see the beauty, see my friends and neighbors....I need to stay home and paint."



He told me about how he first realized that he was permanently attached to New Mexico. "It was the first time I came home on leave from the army. I looked at the Sandia Mountains and I had tears rolling down my face. They were so beautiful!"